Uncle Ron Powell:

The love of bribie

13 February – 9 March 2026

The Love of Bribie stands as both a celebration of Uncle Ron’s lifelong connection to place and a living foundation for future artistic exploration — grounded in generosity, curiosity, and respect for the many stories that shape this land and water.

Painting of two native people on a beach near a body of water with islands in the background. One person is flying a kite, and the other is standing next to a fire with a pot. There is a large green tree and some bushes on the sandy shore.
A watercolor painting of a landscape with a large dead tree, smaller green bushes, tall green cypress trees, dark clouds, a rainbow, and a small red-roofed building.

Exhibition Dates: 13 February – 9 March 2026

Opening: Sunday 22 February
Time: 1:30pm – 3:30pm
Artist talk: : Sun 22 February at 2:00pm.

Venue: Obsidian Bide: Art Gallery & Studio, Shop 9, #9 Toorbul St, Bongaree, Bribie Is (Yarun), Moreton Bay Region

Admission: Free

The Love of Bribie is a solo exhibition by long-time Bribie Island resident Ron Powell, affectionately known locally as Uncle Ron. The exhibition brings together painting, research, and collective memory to reflect on the history of the oyster industry on Bribie Island, the Pumicestone Passage, and the wider Moreton Bay region.

At the heart of this exhibition is a quiet act of sharing. When artist and curator Felicia Lloyd spoke with Uncle Ron about her plans to research the history of oyster reef farming in the Passage, his response was simple: “I’ve written a book about that, you know?” In the late 1980s, Ron was engaged by the Moreton Bay Oyster Company to research and document the oyster industry — its practices, its changes, and its place in the region’s story. Decades later, that body of work becomes a point of connection between generations, practices, and ways of knowing.

Ron’s paintings are not illustrations of history, nor are they arguments. Instead, they offer moments of observation: landscapes shaped by industry, weather, time, and human intervention. Where reefs once thrived; skies carry both promise and aftermath. These works hold space for complexity — acknowledging the profound impact of the oyster industry on the Passage while also recognising the irreversible damage done to ecosystems and the impacts on First Nations peoples during this period of extraction and change.

True to Uncle Ron’s nature, the exhibition avoids judgement. There are no conclusions imposed, no opinions argued. What is offered instead is an invitation: to look closely, to listen, and to consider history as one perspective among many — a perspective that becomes richer when shared, questioned, and expanded through collective memory.

A hand-painted image of a small wooden house with an orange exterior, a peaked roof, and white window frames. The house is surrounded by green trees, bushes, and a white picket fence, with a yellow path leading to the front door.
Painting of a man with glasses and a beard sitting on a small boat with a large sail, surrounded by a blue sea under a light sky.
A painting of a rustic house with a rusted metal roof, surrounded by green grass, a tree, and a cloudy blue sky.
A painting of a scenic lake with trees, two people in a canoe, birds swimming, and a heron standing on the grass.